Kristy Maddux

Televised deliberation has been celebrated for its accessibility and derided for its tendency toward spectacle. Deliberative theorists and practitioners seek ways to make deliberation more inclusive because widespread participation facilitates deliberative legitimacy. This analysis operates between these two challenges, to consider how the daytime television show The View, drawing upon the televisual logics of spectacle and intimacy, nonetheless offers a public pedagogy of deliberation that provides resources for facilitating inclusive deliberation. I argue that the show models deliberators overcoming typical barriers to deliberation, such as disagreement and discomfort, with five deliberative habits: everyday talk, civility, agreement, friendship, and humor.

By 1893, the Supreme Court had officially declared women to be citizens, but most did not have the legal right to vote. In Practicing Citizenship, Kristy Maddux provides a glimpse at an unprecedented alternative act of citizenship by women of the time: their deliberative participation in the Chicago World’s Fair of 1893.

Hailing from the United States and abroad, the more than eight hundred women speakers at the World’s Fair included professionals, philanthropists, socialites, and reformers addressing issues such as suffrage, abolition, temperance, prison reform, and education. Maddux examines the planning of the event, the full program of women speakers, and dozens of speeches given in the fair’s daily congresses. In particular, she analyzes the ways in which these women shaped the discourse at the fair and modeled to the world practices of democratic citizenship, including deliberative democracy, racial uplift, organizing, and economic participation. In doing so, Maddux shows how these pioneering women claimed sociopolitical ground despite remaining disenfranchised.

This carefully researched study makes significant contributions to the studies of rhetoric, American women’s history, political history, and the history of the World’s Fair itself. Most importantly, it sheds new light on women’s activism in the late nineteenth century; even amidst the suffrage movement, women innovated practices of citizenship beyond the ballot box.

For decades, American popular media have instructed audiences about their roles and significance in the public sphere. In The Faithful Citizen, rhetorical critic Kristy Maddux argues that popular Christian media not only communicate avenues for civic engagement but do so in profoundly gendered terms. Her detailed interrogation of popular Christian movies, books, and television shows—the Left Behind series, Mel Gibson's The Passion of the Christ, Amazing Grace, 7th Heaven, and the blockbuster The Da Vinci Code—exposes five competing models of how Christians should behave in the civic sphere as their gendered selves. What emerges is a typology that insightfully reveals how these varying faith-based models of engagement uniquely shape public discourse and influence the larger picture of contemporary politics.